This is an exercise I read about and is basically imposing 3/4 over 4/4. Constant dotted half notes, anticipating over bar-lines. Found this tricky to keep my place in the form, but I think it opened up a lot of future studies and exercises. Tune is "all the things you are"... but I guess you can hear that.
Single string improv. This is a thing that Abercrombie, Goodrich and Jim Hall all preach. I find it really connects you with melody and you inner hearing. Also sabotages all you good licks and familiar pathways.
These are some Pat Martino positional studies that I have been doing this month with a few students. I have spent a some time working them over changes. Sort of ambiguous jazzy sounding lines. Here are the raw licks over a vamp.
Here is a tune for this month. I tried to get into a Kenny Wheeler vibe here, but it quickly became a puzzle of harmonising a chromatic descending bass line. Made a little arrangement in Logic. Also took a first pass at playing a solo, just to make sure it wasn't too brutally hard.
(Changing over to MuseScore for notation... not quite there yet for publishing)
Love the Tune! Great movement and melodic development.
ReplyDeletePositional exercise is something I'd like to work on as well as the dotted 1/2 note comping.
The single string improv sounds hard on guitar but could hear the changes well.
Well done. Please stop setting the bar too high.... or I should say please keep setting the bar this high.